the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

the first 3 nonlocal releases as triple vinyl pack for one special price!

the munich-based duo mrad is a full hardware generated techno project and delivers here the frst release of their label tuesday slump. their 3 track debut ep keeps all promises and shows us the widespread variety & full range of their work. the a side only comes as a heavy jacking bigroom foorburner. a mighty 303 bass line, hissy hihats & mechanical noises make this track to a perfect techno trip for the late night hours. resident on the b side is a rough and catchy cut whereas hazen takes us on a spaced-out excursion with its beautiful & atmospheric synths. this is raw, this is analogue, this is munich city!

the mysterious usio project first showed its bewitching janus-face in 2013 with the release of kuwa huru, a star-striking collection of electronic blues for the dance floor that also constituted the first full-length album to appear on studio barnhus. kuwa jasiri is a follow-up and an appendix and something entirely new these four tracks stem from intense rehearsals of usios emotive, energetic live show (coming soon, if youre lucky, to a dark basement/dewy forest floor near you). the breezing funk of opening track gonna make it, the freakish stomp of planet dust, over the andes in all its precipitous acid-jammin glory and contemplative, elegant closing track pamoja have all captivated us at studio barnhus. its a beautiful night outside so we thought it might be time to let these birdies fly.

standard edition on double black vinyl. housed in gatefold sleeve, download code included.

hot on the tail of two prior releases by tapirus aka rotterdams own charlton, the mnsx series presents its 3rd instalment with none other than yung john heckle from merseyside, uk with a remix by tapirus. three incredible tracks from john heckle make up this blistering hyperactive ep.

matt nowak drops a trio of mesmerising techno tracks on his zaijenroots imprint this june with appearances from sebastian klenk and jerome sydenham. matt nowak inaugurated the zaijenroots discography under his no mad ronin moniker alongside jerome sydenham in 2013, before reappearing for the second release with quiet daze (ian pooley) on remix duties. as the label returns for its third outing nowak pairs up with german producer sebastian klenk whilst distinguished veteran sydenham carves up a remix. *aleister* sees nowak and klenk create an acosmic track that initiates with a touch of funk before sullen synths make way for punchy sp-1200 beats and unsettling throbs. sydenham provides a rendition of no mad ronin *chemical planet* from zaijenroots second release, featuring a perennial hook joined by intangible spoken samples and a subtle sub bass. lastly *lenore* ties things together with a subterranean cut abundant with echoes and spacey atmospherics.

maybe one of the bigger open air releases this year. slow motion minimal pop house at its best. having started to spin hip-hop records in his hometown frankfurt / main he finally ended up in berlin. his >mirrors< ep on katermukke and >akumal< on laut & luise, where released to wide acclaim and already show his versatility and finesse. his remixes and co-productions for instance with nu and acid pauli does confirm his musical pedigree and make us eagerly await all the marvelous things yet to come from this fledging artist.

chicagos original bernard badie is back and delivers four new tracks for mojuba! the creator of the classic time reveals is showing his skills with this new ep to the fullest! his vision of chicago house 2015 comes in four different flavours and will please everybody who loves quality and kicking house music! open up you ears and let the music make you dance!

nice price deal !!! from perú in the a side -he did- show us a groove matching by deep melodies that subtly make us dance, on the other hand, the b side is produced by a romanian guy -suolo- who show us his quality on drums and strong party spirit. these are the talents that are part of the second installment of ipsum records, only for vinyl lovers.

official reissue of chicago classic. b1 is an version of fannie likes 2 dance updated at the artists request, b2 is previously unreleased.

great various artist from dhaze, ilario liburni, kirik, mau. artists who have been releasing on memoria before, but make there vinyl debut to celebrate the 5th birthday of memoria recordings. limited copies available, no repress!

cem enters the spm universe with deep experimental vibrations that conjures imagery in the imagination. his genuine approach to other music make this ep very special. it is a true find for those who are not as others.

phase insane is proud to present el carton, the first collaboration between the madrilenians gale talk andunkle fon. this massive work will not leave anybody indifferent, as it is really unusual having music as original as the one they bring us. gale talk and unkle fon bring us two huge dark techno tracks produced over really deep melodic and groovy elements. these songs generate a massive effect in the dance floor as they are based in very hypnotic sounds which make listeners get into the groove from the very first moment. if this looks great, it becomes better when you listen the fantastic remix of el carton produced by the brooklyn based duo loud neighbor.
support early supported by richie hawting, maceo plex, joseph capriaty, paco osuna, anderson noise, cicuendez, franco bianco and many more.

estonian duo ajukaja & andrevski make their follow up to last year’s incredible rare birds ep with two more pieces of wonderfully weird house music on jon rusts label, levels. as spun by joy o on his beats in space mix. plus further support from tama sumo & lakuti,jamie xx, call super. skip stones on the lake of life with these oddball cuts!vinyl only. mastered at dubplates & mastering, berlin. each copy also comes hand stamped with an a4 insert.pronounced aa-yu-ka-ya for those in doubt

rat life returns with the pagan rites on catalog number 4. little is known about the band from sweden, first signals were received in 2010 when they submitted their track 03 to the ifm demo contest. in october last year rat life sent out a submarine to search the swedish coast line for the small hut where the duo records their songs (apologies to the swedish authorities at this point, who confused our research with a russian military threat). all four tracks are packed with bittersweet melancholia, reflecting the neverending darkness of cold scandinavian winter, still the midnight sun is always in sight on the horizon! already recorded between 2008 - 2013, rat life records is very happy to finally make this music available on vinyl.

the original he serves up here is my groove, a firmly rooted and solid bit of house music with classically inclined vocal chants by gjeazon from crazy like a fox records, that recall eddie amador s biggest cut. subtle details embellish the groove and make it all the more standout, and those deep looping basslines really pull you into the middle of the track, which also has airy hi hats and a sleazy sense of funk. the first remix comes from afterparty founder, rinse fm radio host, former usher tour dj, southern fried affiliate and pioneer collaborator doorly, who also runs his own pigeon hole label. his remix smooths out the kinks and simmers a grainy groove for seven shuffling, seductive minutes. rolling effects and a big breakdown are sure to make for some fist pumping moments in the club. last to remix is play it down producer and foremost danish dj christian nielsen. he does so with an increased sense of urgency and his track hits that bit harder as a result, all thanks to a dirty down low bassline that just rolls and rolls.

for the a-side, fuse london resident antony difrancesco joins forces with dutch born ferro and opens up with the aggressive and hypnotic -des-, with its tough drums and mesmerising pads. next up is tini and the gang- regular, crocodile soup, who brings his deeper side into action on these shoes are made for walking , a track that is elastic and seductive and expertly arranged. david gtronic s signature drums and trippy pads then mark a stunning opening to the b-side on down the burrow and last but not least, he did closes the vinyl with -algunas palabras , a track with a mixture of minimalistic and natural sounds that make for compelling listening and perfectly showcase the he did sound. this is a classy ep from a label that the world needs to get behind as they continue to grow.

remastered re-issue on 180 gram vinyl of the 1967 linda jones debut album. includes a bonus 7 inch.

following up his recent debut sets in the vast sahara structure at coachella, claude vonstroke has just unveiled his new solo ep barrump

pitched somewhere between the molasses gloop of acid tracks and his more gospel moments, pierre s phantasy club was a vocal project that, without reaching the heights of some of his more momentous wild pitch productions and remixes, still showed his versatility. i ll put the bug in you it ll make you stay, i ll plant it it ll never go away. we believe you, pierre. repressed & remastered for 2015 & featuring all original label artwork, with permission from trax records.

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

most excellent unlimited presents ghost guide, a deep listening session from osaka’s mori ra & dj ground aka oyama edit (??? edit). four psyched-out cuts edited from the duos obscure record collection, and overdubbed in their home studio, range from chilled cosmic disco jams to frantic psychedelic krautrock pieces that make for both a killer listening session, and head-turning tools for the discerning dance floor. vinyl only edition of 400 copies

stay underground it pays returns! relatively unknown newcomer modula brings us a slab of ruff n ready analog cuts, with a real standout remix from fuckthegovernment! said remix of controllo by f.t.g is so good that it is the opener of the whole record. it’s a remix built for late night experiences, one for the warehouse, with it’s wailing, ravey vocal samples and subterranean rolling acid bassline. the a side is rounded off by modulas tape mix of controllo. doing what it says on the tin, the graininess and saturation that tape production brings is instantly noticeable. while the tape mix is not as sinister as f.t.gs remix, nor as spatially dense, its greater emphasis on synth work is bound to make it a favourite for many suit fans.the b side takes on more of techno form than the a side. kicking off with intrigo (tape edits), the pad sounds give it an ethereal atmosphere, contrasting the almost militant feel of the percussion and bassline. immerso (instrumental mix) is probably the highest energy pick of the bunch, lots of bleepy synth work and crispy power claps might make this track the djs pick of the record. all in all, a top record from modula! dont sleep on it!

nice price deal !!! b-stock! cover with bent corner. concealed sounds are very proud to announce martinez fourth studio album, -o-pen-. it has been about four years since he released his -paradigm shift- on moon harbour, and during this time he been busy experimenting in his studio to come up with a very mature sound rooted in the musical output we ve seen lately on his 12- releases for concealed sounds as well as other labels. on -o-pen- the focus is not to make any concept around the tracks or the album itself, but just to have ten full compositions that each have their individuality and not necessarily is the same genre or style. you ll hear more melodies again and instruments, as well as analogue drum machines and modular synths that creates the soundscape of this album. a very organic album, including all sounds from the usual house & techno to more dub, ambient and even jazz influences. we are very excited to release this piece of work.
early support from: zip, ricardo villalobos, raresh, s.a.m., thomas melchior, sylphe, fumiya tanaka..

for some it might be kraftwerk, but for me, my favourite electronic pioneers are probably australias severed heads. they were so far ahead of the game that they had to invent a lot of the technology they used. inspired, playful, never boring and always sonically brilliant they pushed at the frontiers of electronic music more than most. by the late 80s they were pursuing a slightly more polished course and made a series of records that had the potential to reach a much larger audience. possibly because of their name they never quite managed that, but they had several big club hits, the dub versions of which crossed over into the nascent house scene. i am honoured that i am able to make the dubs of those three 12 inches from 1988 - 1990 available again.

vinyl only release!
toxic is the name of the first lamp, in a series of more to come, on the cover made by remy the feyter – glass blower artist. the tracks are composed by dieter vorderhake and are a natural inspiration of 20 years of techno influence. liroconite and cornubite are natural stones with the same colors as the lamp, hence the names of the tracks. tingeling, the name of the third track, is a dutch word which will translate itself more or less into a ding-dong sound. this sound is one of the prominent sounds in the track which announces a change in the track. it is inspired on the sound the metro doors make in amsterdam when they close. the metro is ready to continue its journey… so is the song.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd39 *you get by* is the second outing from rabo & snob, the tel-aviv based duo who previously surprised and delighted on whiskey disco #32, 3 chart-topping songs that brought this duo into the disco limelight. the fundamental goal of modern disco is to ride the groove and make folks move. r&s have an uncanny ability to distill music to this point by weaving new textures over old and creating instant classics. you get by, believe and together carry this torch with subtle nods to our inner disco hippy, signaling themes of peace, love and boogie. the title song has been re-touched by love dance. ld have tweaked the original vocals for a headier combination, aimed at the dawn patrol.

muscle and mind is the return of oscar mulero to long plays, after grey fades to green and black propaganda. muscle and mind may seem antagonistic terms in real life, but in terms of music they make sense together, especially when talking about techno.
muscle and mind will be released on vinyl and cd. the digital version will include extra tracks which will also be published in an ep. this will precede the album with edited tracks from the album and remixes by stanislav tolkachev and shxcxchcxsh. repress on black vinyl.

the mysterious duo project overall severity landed on fabrizio lapiana s attic music with an intense three track ep called -helene-, second installment of the new hurricane series. on the first side, in -vario 7288- they make an intricate journey immersed in a dark noir melody with powerful techno rhythms and plenty of alien sounds. -unable to assess- on the b-side turns into a hypnotic-linear sound focused on an obsessive and scientific atmosphere where the loopy drums light the way. an ambient flow closes this work, -emotional harm- is an evocative result of accurate sound design full of bleep, breaks and distorted chords.

not content with a rich and flawless back catalogue of releases under a plethora of monikers such as dabrye, jtc and charles manier spanning multiple genres on a wide variety of labels such as ghostly international, rephlex amongst many others, and a career spanning 15 years, 2014 seemed like the right time to make plans to create an imprint with the aim of releasing the the rich flood of music that flows forth from tadd mullinix’s ann arbor studio. those plans have come to fruition and the first release this year is a 3 track 12” from jtc.

after four years of parties and many years of clubbing and djing, yay has decided to make its own philosophy to offer music can be something tangible and lasting in time to come. for this reason yay is proud to announce the opening of their own label, only on vinyl, where groove after groove will try to make sure that all the passion and culture of this small, but at the same time, great way of underground electronic music, it can be achieved with an object that will never die. the first release leave 3 tracks from the young artist riccardo of imprints records. energetic music for all the different dance floors. enjoy it!

after the last lessizmore release found san proper and maayan nidam crossing swords for the simmering, jammed-out tones of it was a night like this, now the label turns to another close ally for a slice of discerning, upfront house music. louis mcguire lives many different lives in music, from drumming with indie pop outfit ballet school to playing bass for lo-fi electronica group the waves & us. now though his own solo productions are being noticed in the house and techno world, with this new ep following on from a well-received debut on supply records. the diversity of mcguire’s musical leanings feeds into his distinctive sound, as his own take on stripped down, sensual house music bristles with unconventional energy to make for an unforgettable experience that steps up to the most creative frontiers of dance music. live drum sounds rattle around the mix free from quantized safety, while the melodic tones come on warm and fuzzy, capturing the hazy romance of a late morning session as much as the early part of the evening. it’s apparent that mcguire’s weapon of choice is the mpc, channeling his love of gritty beats in the grand tradition of point g and j. dilla. you can hear the spirit of the most adventurous micro house pioneers in the quirky funk of light hearted, while Óreitha revels in the transcendental qualities of a sustained groove without even a whisper of monotony. even with these unusual qualities the music is resolutely built for the dancefloor, and that mcguire manages to be so creative and so focused in the same beat is reason enough to keep tabs on this multifarious and unpredictable operator.

ednic is the italian duo of nicola di gabbia and edoardo cortopassi, and by all intents and purposes, they’re an outfit that’s on to a good thing right now. the guys make quality, analog-enriched house and techno, the likes of which comes to the fore here on puas puas, a vinyl only label that’s already featured the likes of the mole, alex piccini and carola pisaturo amongst others. first up on the exceptionally refined strands of the auberste ep sis the sounds of the original, which is a barnstorming cacophony of acid flourishes and tension-filled motifs. a track that’ll keep you on the edge of your seat for some time, it features shades of old-school electro and techno, and is the sort of track that’ll definitely rescue any ailing dancefloor. the aforementioned carola pisaturo then perks up with the first of her two remixes courtesy of her brilliant ‘church’ mix. a bumping and grinding interpretation on the original, it too keeps the suspense high, most notably thanks to a dizzying array of melodies and a series of potent basslines. her ‘botta’ remix is a more stripped back affair, albeit one that still speaks to fans of discerning fare thanks to its relentless attitude. full of shiny percussion and the odd sultry vocal smidgen, it’s further indication of a producer who looks set to enjoy an excellent 2015. this is classy stuff indeed from the puas puas label.

spinning plates is a brand new vinyl only label set to make wave in 2015. debuting with an ep by will & held and a remix by prime numbers owner and highly respected artist trus me.

dont expect to see *played by* or *support from*, or anything like that in our new release, this is quality underground music not meant to make you jump on the dance floor, but to take you on a trip to another dimension. we are back and this is just getting started...

the combination of ron hardy, adonis & frankie knuckles on one record should make even the hardest of house heads excited. *work the box* is that said record, featuring production & mixes from all of these legendary figures in classic chicago trax fashion! experimental, spaced out, hard, minimal, raw & jacking, all words that could be applied to the 4 cuts contained here. this is the real deal, up there with the best jack tracks, direct, straight to your dome bangers with a left-field edge. %100 essential. the sound of the warehouse & the muzic box 1986 right here! repressed, remastered & re-released in conjunction with trax records for 2015.

hot chip veröffentlichen limitierte whitelabel remix 12“ mit edits der ersten beiden singles von joe goddard und four tet exklusiv für den indie pool! anfang mai veröffentlicht das britische quintett hot chip eine in deutschland auf 250 einheiten limitierte whitelabel remix 12 inch via domino! auf der a-seite findet sich ein edit der aktuellen single ‚need you now’ von kieran hebden aka four tet unter dem namen percussions, unter welchem er seit 2011 zahlreiche ep’s und ein album veröffentlicht hat. die b-seite ist ein dub mix der ersten single des neuen albums ‚why make sense?‘ von joe goddard!

second record of our vinyl only series.. buddy arsy from berlin, made a dope four tracker that gots everything you need in your record bag. sounds for the club, the bbq or the bedroom when you want to make your girlfriend horny... the coverartwork is a pencil sketch by our man duktus from leipzig - handprinted on 300 copies..

more ultra rare disco-soul from the sunshine state! phillip wright only dropped 1 45 single under his own name on tk discos tiny dash label in 1976. long sought after & coveted by lovers of rare disco & modern soul *keep her happy* has never been reissued in its original 45 format, until now! often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly phillip never achieved the commercial success of his sister betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015! repressed, remastered & re-released in its original dinner 45 rpm format with all original dash records artwork intact in conjunction with joe stone / tk disco, miami fl.

2017 repress on black double vinyl, housed in a black sleeve.
muscle and mind is the return of oscar mulero to long plays, after grey fades to green and black propaganda. muscle and mind may seem antagonistic terms in real life, but in terms of music they make sense together, especially when talking about techno. the double vinyl lp includes a download code.

produced by glance, phonk d & sascha ciminiera info: thorsten scheu, also known as glance and co-founder of famous running back records is back on the track. watch out for footjobs number three, a threesome-job in working the floor, ready to make you dance!

californian modular synthesizer and audio equipment producter tiptop audio is proud to introduce a new project for 2015: tiptop audio records. in the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. this trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack). tiptop audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets. tiptop audio records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective. these are the artists who inspire the tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).

10 track 12- on collectable japanese label -snaker-. leaving signature fm synthesis work arcade game, blends with soft reggae feelings, his programming make more minimalismic, polyrhythmic and even funky approach through eerie,vertiginous,glistering and ominous without long dramatic notes. this primary sound make us mad, it has something common to lo-fi feeling or row house groove.

we are proud to have dug out these two bomb tracks from the 90&#8242,s by manchester legend kid simmons. for some weird reasons these tracks were never released, but here we go now: 2 funky house bombs that will make you bounce and jump like there was no tomorrow. expect more to come from the archives of this man!

ltd 2015 repress
it might be quite obvious to some of you that follow our little label that we have a thing for schatrax. some would call it an obsession but we simply call it a crush. lets face it, the man has made some of the most timeless deep house from these mighty shores that make up the british isles - what s not to love? so, here he is again with mists a track previously unreleased but unmistakably schatrax. submerged beats, a skippy groove and a simple effective riff are the essence of the track while keep on loving injects a glorious uplifting feel with a bouncing b-line and classic piano riff. flipsides the almighty keeps things deep whilst aliena s groove is one of schatrax s signature tracks with it s haunting melancholic riff keeping the emotions high.

a fan of limitations, the maghreban took multi samples from his casio mt-70 keyboard and used only them to make this ep whilst on holiday in north wales last year. most of the tracks were made whilst staying at portmeirion, the strange resort where *the prisoner* was filmed in the late 60s. the maghreban is a fan. the result is more mechanical than previous excursions, dictated by the entirely synthetic source material. no dusty vinyl samples this time. more techno. very early support from ben ufo and lefto.